• Work
    Scroll up
    • Casino
      2023, Reinwardt Academy Residence Program
    • Bezitten en begrijpen
      2023, Reinwardt Academy of the Arts
    • Bestemming bereikt
      2024, Erfgoedhuis Zuid-Holland
    • Surtout de table
      2023
    • Carrousel
      2023
    • Memory
      2023
    • Perles Cachées
      2022/2023
    • Elections
      2022
    • To Jack
      2022
    • Uralmash/Constructing the Future
      2018, Palace of Culture Yekaterinburg
    • The Toorop Dynasty
      2020, Stedelijk Museum Alkmaar
    • Poste restante/Nan Goldin
    • Nicolaes Maes
    • A beautiful thing
    • Mapping Asia
    • Dutch DNA
    • Cartooning Syria
    • Impossible Journeys
    • Knitted Worlds
    • Architecture of Consequence
    • DutchDoc Award#1
    • DutchDoc Award#2
    • Metropool Festival
    • The Jungle
    • Award Ceremony Dutch Doc
    • Laval en Gauguin op Martinique
    • Canadian Inuit Art
    • Greetings from your good friend Bokito
    • All is Vanity
    • Changing of the Guard
    • Inoculate Now
      George Weiss
    Scroll down

Changing of the Guard

The significance of Paradiso is manyfold. It is a monument, a retired church, a temple of rock and sacred territory. An official changing of the guard not only provides curb appeal for the site, it also enhances the integrity of the building.

The sentries embellish and ‘pump up the volume’ of the architecture. They extend the iconic nature of Paradiso into the social realm, while at the same time providing mystique, guarding the remnants of spiritual happenings and goings-on within Paradiso. In contrast to most security systems which are activated after dark, the sentries provide ritual security during the day.

The sentries remain standing, very still, guarding Paradiso. Once per hour, they move from their positions to parade, while performing a combination of marching, militaristic dancing, and speaking in loud voices. Twice a day, during rush hour, the guest regiment replaces the sentries on duty.

The sentries’ uniforms are inspired by military uniforms originating from different cultures ranging from the British Palace Guards to the Samoan Fita Fita ceremonial guards. They also pay homage to pop-culture iconography á la Rhythm Nation.

Concept and design: Cecilia Hendrikx en Tara Karpinski, for Palais Paradiso
Choreography: Gabriella Maiorino
Production of the costumes: Els Roseboom
Video: Chiel Aldershoff

Contact